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J o a n B e l m a r


Addison Ripley Fine Art

JOAN BELMAR
CAMBALACHE
APRIL 22 – MAY 27, 2017

AApril 22, 2017 to May 27, 2017

Opening reception for the artist, Saturday, April 22, 5-7pm

New work by Joan Belmar

Cartographer, political commentator, musicologist, passionate observer, Joan Belmar exemplifies these skills in addition to his quite proven mastery of his art. That cosmology comes together in his third exhibition at Addison/Ripley in bold two and three-dimensional compositions which, by choice, strongly align with current events. Organized by the evocative exhibition title, Cambalache, the artist references both some of the musical culture of his birth and, in a recurring design motif, the, not so civic, U.S. political scene today in these new works. Cambalache is the name of a tango written in 1935 by Argentinian Enrique Santos Discepolo for the film, The Soul of the Accordion, which was overtly critical of Argentinian 20th Century corruption and initially banned by several dictatorial regimes.

Cambalache Paper #3 23 x 30 inches Oil, acrylic, and ink on paper 2017

The familiar but deceptive simplicity of the circle and line structure of Belmar's paintings and constructions allows a rich range of palettes, at times earthy and quietly ashen, and, at others, rainbow bright. The complexity of his compositions allows the viewer to become lost in even the smallest work. Utilizing vinyl, acetate, wood and mylar in addition to traditional vehicles of paper and canvas, the artist constructs layers and layers real and illusory depth, demarcations of line and material. The sharp tap of a flamenco heel mingles here with the mellow, smoke-tinged voice of a 1930s Southern Cone cantor in Tango y Vino bars.

Cambalache Spectrum 3D 40 x 64 inches Acrylic, ink, Mylar and wood on plywood

A practicing artist in Washington since 1999, Joan Belmar synthesizes his perceptions of the division, corruption and low values that sometimes challenges our civil society into brilliant, joy filled paeans to hope. As the artist states: "I play with light, transparencies and the sculptural qualities of these elements in order to evoke the concepts that are important in my work: Time, change and movement."

Cambalache - Ashes #6 10 x 14 inches Oil, acrylic, and ink on paper 2017

Originally from Santiago, Chile, Belmar was the recipient of The Maryland Arts Council Individual Artist Award in both 2010 and 2013. He was a finalist for the D.C. Mayor's Art Award -Outstanding Artist in 2007 and went on to receive D.C. fellowships in 2009 and 2010. In 2016, the artist received the First Award for Original Artwork at the Osten Biennial of Drawing in Skopje, Macedonia.

http://addisonripleyfineart.com/

Cambalache (Longitude #2) 13.5 x 52.5 inches Oil, acrylic, and ink on paper 2017

The gallery is located in Upper Georgetown at the intersection of Wisconsin Avenue and Reservoir Road and is open Tuesday through Saturday from 11 until 5:30 and by appointment.

http://www.latinamericanart.com/en/art-events/cambalache.html

Addison/Ripley Fine Art, 1670 Wisconsin Avenue, NW, Washington, DC, DC 20007




Photo

Cambalache Round (District)

40 x 40 inches

Oil, acrylic and ink on paper

2017

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HalfWorld/Keystone Quadrant
Acrylic, ink and gouache on Duralar
10 Feet
2016

Photo

Osten Biennial of Drawing 2016

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University of Maine Museum of Art 


 "What's the Big Idea?: Small Paintings from the Museum Collection" from May 13-September 10, 2016. 

Curated by  George Kinghorn,
Executive Director and Curator, UMMA

http://umma.umaine.edu/

UMMA

belmar-bateaux.jpg


2017 Joan Belmar. All rights reserved