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Arauco
Series Exhibition Statement These works are
from my “Arauco” series. Arauco is the region in southern Chile, my native country, where the indigenous
Mapuche people live. The Mapuches fought very hard to resist the Spanish conquest. Their struggle was depicted
in the epic poem La Araucana (1569–89) by Alonso de Ercilla y Zúñiga, a Spanish soldier who praised their courage.
The descendants of those who survived the fighting are treated today as second-class citizens in their own county. And
the government and private businesses are constantly trying to take their lands. The Mapuches often respond with violent
demonstrations and the burning of private property, which makes their cause very controversial in Chile. All agree, however, that the Mapuche culture is rich in its traditions, textiles and jewelry.
My “Arauco” series is an abstract body of work that seeks to celebrate the geographical heritage, culture, and
traditions of the Mapuches and recognize the continuing nature of the struggle they face in contemporary Chile. These
works are a continuation of my “Territorries” series that began by celebrating the Selk’nam people, who
became extinct in Chile by the middle of the last century.
Trance Lucid Exhibition statement During the last few years, I have been working with translucent materials to create pieces that
react to light. I enjoy how the pieces are perceived differently depending upon how they are exposed to light and depending
upon the angle from which they are viewed. Separately, I have been wanting to explore how an object’s individual qualities change when it
becomes part of a group, transforming it into something very different . For this exhibition, I will combine these two interests. I will create an organic installation
that seeks to exploit the particular properties of frosted cups. I have been drawn to their capacity to both absorb
and redirect light. And I hope a massive grouping of them will give us different insights into their construction and
qualities.
Territories
series is two-dimensional and it explores the psychological and cultural divisions that so affect the way we see the world
around us. I was drawn to maps, especially as I researched the Selknam people, who inhabited the southern region of
my native Chile and who were exterminated in the last century. In the maps, I encountered symbols, colors, drawings,
grids, dots and lines. Accordingly, in the “Territories” series, I created certain structures, but then I let
the organic qualities of the acrylics, gouache and ink mix and move spontaneously on the canvas or paper. Metaphorically,
they are in search of freedom in a structured world.
Tierra Del Fuego Series 2012
The Tierra
del Fuego series is inspired by the traditional coming of age initiation ceremony once held by the Selk’nam people from
Tirerra del Fuego, a group of islands between Chile and Argentina. The Selk’nam became extinct in 1966 and what
we know about them and their rituals comes from photographs taken many years before by Martin Gusinde in 1923. Body paint
(Dots and lines) were an essential part of their life. They had designs for hunting, war, peace meetings and shamanistic
performances. My series is inspired by these designs. The crackling texture of these pieces seeks to reflect the
hostile climate and conditions of the geographic region where the Selk’nam lived. My work on this series made
me think about how politics, modernization and human greed affected the life of people to the point of annihilating them. Reforma #1 (Tierra Del Fuego series) 50" x 36.5" each (diptych)
Art at the top #1,#2,#3. 22" x 22" Circle
48" of diameter acrylic,ink, mylar,wood and vinyl on plywood 2012
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