Ever since coming to
the United States in 1999, I have been interested as an artist in exploring the properties of contemporary materials, such
as plastic, acetate, vinyl, polycarbonate and Mylar etc. I play with light, transparencies and the sculptural qualities
of these elements in order to evoke the concepts that are important in my work: Time, Change and Movement.
In my last series of paintings and
drawings, I explored the psychological and cultural divisions that affect the different ways we see the world.
I became drawn to maps, especially as I researched the Selknam people, who inhabited the southern region of my native Chile
and who were exterminated in the last century. In the maps, I encountered symbols, colors, drawings, grids, dots and
lines. Accordingly, in my “Territories” series, I started with structures. But then I let the organic qualities
of the acrylics, gouache and ink mix and move spontaneously on the canvas or paper. Metaphorically, they are in search of
freedom in a structured world. I specifically wanted the crackling texture of my work to prompt us to think about how
politics, modernization, and human greed affected the lives of the Selknam people to the point of annihilating them.
Also, I have developed a
unique technique in my three-dimensional pieces. They are maybe only an inch or two thick. I use vinyl, acetate,
wood and Mylar materials, to make layers within that internal space. The transparencies and 3D effects have suited my
purposes perfectly. I want the viewer to perceive some things clearly and some things opaquely, reflecting the complexity
and lack of clarity in the world around us.